Director: RETENTION by Sherif Arafa
GOD’S CREATION by Kamla Abou Zikri
19-19 by Marwan Hamed
WHEN THE FLOOD HITS YOU by Mohamed Ali
CURFEW by Sherif El Bendari
REVOLUTION COOKIES by Khaled Marei
#TAHRIR 2/2 by Mariam Abou Ouf
WINDOW by Ahmad Abdallah
INTERIOR/EXTERIOR by Yousry Nasrallah
ASHRAF SEBERTO by Ahmad Alaa
19-19 by Marwan Hamed
WHEN THE FLOOD HITS YOU by Mohamed Ali
CURFEW by Sherif El Bendari
REVOLUTION COOKIES by Khaled Marei
#TAHRIR 2/2 by Mariam Abou Ouf
WINDOW by Ahmad Abdallah
INTERIOR/EXTERIOR by Yousry Nasrallah
ASHRAF SEBERTO by Ahmad Alaa
Country: Egypt
Synopsis: A group of ten directors, twenty or
so actors, six writers, eight directors of photography, eight sound engineers,
five set designers, three costume designers, seven editors, three
post-production companies, and about ten technicians have agreed to act fast
and shoot, with no budget and on a voluntary basis, ten short films about the
January 25 revolution in Egypt. Ten stories they have experienced, heard or
imagined. –Official site
Review: The birth and the death of a revolution
are in a preordained pattern. The trivial irritations that spur the people into
action, the tipping point that upsets the ship, the ecstasy that follows and
finally, the realization that despots and leaders are the same species. Each of
these ten tales tells the same story, through different eyes.
Each film is
perfect in itself. They all echo the sentiments that ran through Egypt for
those 18 days which lead to the fall of Hosney Mubarak. The slogan “The people
who want to bring down the regime (Ash-shaʻb yurīd isqāṭ al-nidhām) “is heard throughout all the films,
as it was heard allover Tunis, Bahrain, Jordan, Dera... This captures the
spirit of Arab Spring.
The pace and
energy of the film is surpassed only by the mastery of each director over their
individual films. There was not one single moment where I could take my eyes
off the screen. The rapid flow of frames, the rich content, the colours, and
the ambience, all kept me glued to my seat. This was the first film that I
watched in IFFK 2012. I was glad that, for this film, I was in the company of
another person who refused to take their eyes off the screen!
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